We will instead section the years 1994 to 1996 as a small example of these fleeting transitions and circle a mere 6 records that the majors released; all of which were decent in many ways, but undoubtedly lacked the mega-sale attraction their financiers had hoped for. »
With flatter, more turbid production, Black Sabbath's 13 could easily have been released in the 70s or 80s, but it is simultaneously, somehow, undeniably modern. »
Western Australian outfit The Love Junkies released their debut album, Maybellene, earlier this month. The Freo trio bring a raucous mix of rock and roll. »
Born Sinner is a correction without contrition. Ballsier, but only slightly, and far more eager to please. »
Kveikur is a mixed bag. It has some extremely dark material on it whilst simultaneously balancing out with delicate and celestial tracks. »
A Savage Journey to the Heart of Aussie Rock & Roll with The Cosmic Psychos (Part 3) »
The entire package has a murmur of acidic brilliance that will rise to the surface at just the right moments. »
Fearless Records was actually home to some really great punk bands once. The label was in fact, a big part of my musical taste as an uncouth youth »
The sequel to 2012's dense, club-oriented KILT mixtape, KILT II sees Su stumbling over the twin obstacles of his metastasising repetition problem and simply softening up. »
Ace's cadence is Melle Mel, with that tiny pinch of reverb vocals had back in the day. Conceptually this might be as close as hip hop comes to adult contemporary. »
Tomorrow’s Harvest is the forth studio album from the Scottish duo, brothers Michael Sandison and Marcus Eoin, and the first record for 8 years. »
Even the content on this mixtape is a calculated manifestation of current popular hip hop tropes that Luda himself helped popularise. He's good at giving the fans what they want. »
